---
product_id: 20079273
title: "Inferno"
price: "AED 87"
currency: AED
in_stock: true
reviews_count: 8
url: https://www.desertcart.ae/products/20079273-inferno
store_origin: AE
region: United Arab Emirates
---

# Inferno

**Price:** AED 87
**Availability:** ✅ In Stock

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- **What is this?** Inferno
- **How much does it cost?** AED 87 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.ae](https://www.desertcart.ae/products/20079273-inferno)

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## Why This Product

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## Description

Product Description Master Of Horror Dario Argento Brings You Terror That's Hotter Than Hell! A young woman stumbles upon a mysterious diary that reveals the secrets of “The Three Mothers” and unleashes a nightmare world of demonic evil. As the unstoppable horror spreads from Rome to New York City, this unholy trinity must be stopped before the world is submerged in the blood of the innocent. Written and directed by Dario Argento, INFERNO is considered to be the sequel to his classic SUSPIRIA. This surreal shocker stars Irene Miracle (NIGHT TRAIN MURDERS), Daria Nicolodi (DEEP RED) and Leigh McCloskey (DALLAS), and features a pulse-pounding original score by Keith Emerson of Emerson, Lake & Palmer. Blue Underground is proud to present INFERNO freshly transferred in breath-taking High Definition from the original uncut and uncensored negative, complete with exclusive new Extras! Review 'Argento At His Very Best! ' --DVD Maniacs'Hypnotically Entertaining... A Worthy Follow-Up That In Some Ways Exceeds The Original!' --Cinefantastique'A Dazzling, Stylish Feast Loaded With Some Of Argento's Strongest Visual Strokes of Genius!' --Mondo Digital P.when('A').execute(function(A) { A.on('a:expander:toggle_description:toggle:collapse', function(data) { window.scroll(0, data.expander.$expander[0].offsetTop-100); }); }); About the Actor Stars Leigh McCloskey (DALLAS, JUST ONE OF THE GUYS), Golden Globe winner Irene Miracle (MIDNIGHT EXPRESS, NIGHT TRAIN MURDERS), Daria Nicolodi (DEEP RED, SHOCK, PHENOMENA), Alida Valli (SUSPIRIA, EYES WITHOUT A FACE), Veronica Lazar (THE STENDHAL SYNDROME, THE BEYOND), and Gabriele Lavia (BEYOND THE DOOR, DEEP RED) About the Director From Master of Horror Dario Argento, director of best-selling horror classics SUSPIRIA, DEEP RED, OPERA, THE BIRD WITH THE CRYSTAL PLUMAGE, and GIALLO See more

Review: Beautiful bluray edition worth the upgrade from the AB disk - I should point out that I'm a pretty big Argento fan, so my review should be taken as such. Of all of Argento's films, my two favorites alternate between Suspiria and Inferno. It seems that no matter how many times I rewatch those films, they actually get better with each new viewing, (usually the opposite happens). Each of those films have a certain unique aesthetic value and atmosphere. With that being said, while I would recommend Suspiria to a first time Argento viewer, Inferno is actually the last of his good films which I'd recommend. While Suspiria tried to have somewhat of a plot, Inferno's plot is pretty weak and sometimes hard to follow. I think another problem people have with this film is while its a sequel to Suspiria and has a similar look and feel, its a very different film, this film can't be approached as a sequel. It also further moves away from his early films in that instead of using the normal Goblin soundtrack it uses a Keith Emerson score which has a more piano/classical music feel to it. I actually hated the film the first time I watched it, but every time I've seen it since the plot gets clearer, the visuals get better and I love the film more and more. It seems that many of the Argento's I loved on the first watch can't even come close to holding up on rewatches like this film. As for the Bluray release, the transfer is beautiful. Of course I'm comparing this to the Anchor Bay / Blue Underground (2007) DVD release and it looks like a completely different film. If you have those older disks this is well worth the upgrade. As for the reviewer who complains that this release isn't as up to par as Tron, I've not seen Tron so I can't comment on that, but usually the italian films from this era use a cheaper film stock so the original film quality wouldn't have been as good as tron (I don't know if Inferno is this same way or if its BU's fault, the transfer looks beautiful to me). The supplements are few but good. The trailer seems to be a straight transfer from the SD disk, it should be watched only after the film since its full of spoilers, I do find it intersting just how much the trailer tries to make this a fast paced horror film instead of the slow atmospheric film it truly is. There is an interview with Argento and L.Bava, this also seems to be a SD transfer from the Anchor Bay disk. Its worth watching as well, especially for the sections where it talks about M. Bava having a part in the special effects, in a way this is one of the last films the great Bava worked on before he died. His visuals/effects work very well with Argento's vision. There are two new interviews with the brother and sister in the film (Leigh McCloskey and Irene Miracle). Both of these interviews are about 15 minutes each and I found them interesting. I do wish they would have been longer. Overall if you're an inferno fan and have the older Anchor Bay / non SE Blue Underground disk then this is an essential upgrade, the transfer looks great and its like watching the film in a different light. If the viewer is new to Argento, while I love this film, there are probably better places to start. I'd recommend The Bird with the Crystal Plumage as an accessible starter film. Suspiria (hopefully it will get a bluray release soon) and Deep Red are also two brilliant films to begin with. In short thanks Blue Underground for giving us another great transfer of a marvelous film! I can't wait for the releases of Deep Red and The Cat O' Nine Tails.
Review: All good things come in threes - What a movie. Inferno is the second in the Three Mothers Trilogy. It's also the heaviest on atmosphere, with a sort of suffocating and sometimes claustrophobic mood. That's my ultimate takeaway. Whereas Suspiria played like a demented fairytale full of splashes of color, bizarre characters, and some downright scary scenes, Inferno is subdued and hazy. It's still surreal. What else can an underwater room beneath a person-sized hole be? It's also very violent and eerie, as are all Argento's films I've seen. Here is where the lore is deepened and expanded upon. Three Mothers had houses built in Germany, New York, and Italy in which they live among their covens. They each have great power and sway over people. They are like the head of a giant snake. Once you sever it, the coven is rendered powerless. This holds true with each Mother and their followers. This new lore is what makes Inferno important to the overall story of the trilogy. It adds more depth, more expansion, and even new context to Suspiria. And it's wrapped up in a mystique characteristic of Argento. Another one that some will love, some will hate. You either "get" or you don't "get" Argento. Not in understanding it, or appreciation on a deep or artistic level, but in how it connects with you or how it interests you. Some think he's a hack, others a deranged genius who is bursting at the seams with an over the top vision. I'm in the latter. He has a great eye for color and atmosphere, and while his story telling comes off as sloppy or lazy to decriers, to me it's always added to the appeal. It's weird and dreamy and such fun to unravel. Like piecing together a puzzle that may have been mixed with a different one altogether, so there is a delirious confusion involved. That sounds pretentious to say but it's just how I feel about Dario Argento. I love the whole process of it, from the color to the (sometimes) goofiness, from the violence to the gore, and how it's all wrapped up in an atmospheric package so that it can be immersive to some. Suspiria and Inferno are great examples of this. You'll either love it or you'll loathe it. It's how it is. 4.5/5.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN  | B004FUPK6U |
| Actors  | Alida Valli, Daria Nicolodi, Irene Miracle, Leigh Mccloskey, Veronica Lazar |
| Aspect Ratio  | 1.85:1 |
| Best Sellers Rank | #29,137 in Movies & TV ( See Top 100 in Movies & TV ) #910 in Horror (Movies & TV) |
| Customer Reviews | 4.5 4.5 out of 5 stars (899) |
| Director  | Dario Argento |
| Is Discontinued By Manufacturer  | No |
| Item model number  | 6492072 |
| MPAA rating  | NR (Not Rated) |
| Media Format  | NTSC |
| Number of discs  | 1 |
| Product Dimensions  | 0.7 x 7.5 x 5.4 inches; 2.72 ounces |
| Release date  | March 29, 2011 |
| Run time  | 1 hour and 46 minutes |
| Studio  | Blue Underground |
| Subtitles:  | English, French, Spanish |

## Images

![Inferno - Image 1](https://m.media-amazon.com/images/I/81yK+abRGjL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Beautiful bluray edition worth the upgrade from the AB disk
*by D***. on May 7, 2011*

I should point out that I'm a pretty big Argento fan, so my review should be taken as such. Of all of Argento's films, my two favorites alternate between Suspiria and Inferno. It seems that no matter how many times I rewatch those films, they actually get better with each new viewing, (usually the opposite happens). Each of those films have a certain unique aesthetic value and atmosphere. With that being said, while I would recommend Suspiria to a first time Argento viewer, Inferno is actually the last of his good films which I'd recommend. While Suspiria tried to have somewhat of a plot, Inferno's plot is pretty weak and sometimes hard to follow. I think another problem people have with this film is while its a sequel to Suspiria and has a similar look and feel, its a very different film, this film can't be approached as a sequel. It also further moves away from his early films in that instead of using the normal Goblin soundtrack it uses a Keith Emerson score which has a more piano/classical music feel to it. I actually hated the film the first time I watched it, but every time I've seen it since the plot gets clearer, the visuals get better and I love the film more and more. It seems that many of the Argento's I loved on the first watch can't even come close to holding up on rewatches like this film. As for the Bluray release, the transfer is beautiful. Of course I'm comparing this to the Anchor Bay / Blue Underground (2007) DVD release and it looks like a completely different film. If you have those older disks this is well worth the upgrade. As for the reviewer who complains that this release isn't as up to par as Tron, I've not seen Tron so I can't comment on that, but usually the italian films from this era use a cheaper film stock so the original film quality wouldn't have been as good as tron (I don't know if Inferno is this same way or if its BU's fault, the transfer looks beautiful to me). The supplements are few but good. The trailer seems to be a straight transfer from the SD disk, it should be watched only after the film since its full of spoilers, I do find it intersting just how much the trailer tries to make this a fast paced horror film instead of the slow atmospheric film it truly is. There is an interview with Argento and L.Bava, this also seems to be a SD transfer from the Anchor Bay disk. Its worth watching as well, especially for the sections where it talks about M. Bava having a part in the special effects, in a way this is one of the last films the great Bava worked on before he died. His visuals/effects work very well with Argento's vision. There are two new interviews with the brother and sister in the film (Leigh McCloskey and Irene Miracle). Both of these interviews are about 15 minutes each and I found them interesting. I do wish they would have been longer. Overall if you're an inferno fan and have the older Anchor Bay / non SE Blue Underground disk then this is an essential upgrade, the transfer looks great and its like watching the film in a different light. If the viewer is new to Argento, while I love this film, there are probably better places to start. I'd recommend The Bird with the Crystal Plumage as an accessible starter film. Suspiria (hopefully it will get a bluray release soon) and Deep Red are also two brilliant films to begin with. In short thanks Blue Underground for giving us another great transfer of a marvelous film! I can't wait for the releases of Deep Red and The Cat O' Nine Tails.

### ⭐⭐⭐⭐⭐ All good things come in threes
*by R***E on November 2, 2020*

What a movie. Inferno is the second in the Three Mothers Trilogy. It's also the heaviest on atmosphere, with a sort of suffocating and sometimes claustrophobic mood. That's my ultimate takeaway. Whereas Suspiria played like a demented fairytale full of splashes of color, bizarre characters, and some downright scary scenes, Inferno is subdued and hazy. It's still surreal. What else can an underwater room beneath a person-sized hole be? It's also very violent and eerie, as are all Argento's films I've seen. Here is where the lore is deepened and expanded upon. Three Mothers had houses built in Germany, New York, and Italy in which they live among their covens. They each have great power and sway over people. They are like the head of a giant snake. Once you sever it, the coven is rendered powerless. This holds true with each Mother and their followers. This new lore is what makes Inferno important to the overall story of the trilogy. It adds more depth, more expansion, and even new context to Suspiria. And it's wrapped up in a mystique characteristic of Argento. Another one that some will love, some will hate. You either "get" or you don't "get" Argento. Not in understanding it, or appreciation on a deep or artistic level, but in how it connects with you or how it interests you. Some think he's a hack, others a deranged genius who is bursting at the seams with an over the top vision. I'm in the latter. He has a great eye for color and atmosphere, and while his story telling comes off as sloppy or lazy to decriers, to me it's always added to the appeal. It's weird and dreamy and such fun to unravel. Like piecing together a puzzle that may have been mixed with a different one altogether, so there is a delirious confusion involved. That sounds pretentious to say but it's just how I feel about Dario Argento. I love the whole process of it, from the color to the (sometimes) goofiness, from the violence to the gore, and how it's all wrapped up in an atmospheric package so that it can be immersive to some. Suspiria and Inferno are great examples of this. You'll either love it or you'll loathe it. It's how it is. 4.5/5.

### ⭐⭐⭐⭐⭐ Good movie
*by A***R on November 6, 2025*

Loved this you will too

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*Product available on Desertcart United Arab Emirates*
*Store origin: AE*
*Last updated: 2026-04-25*