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Is philosophy obsolete? Are the ancient questions still relevant in the age of cosmology and neuroscience, not to
mention crowd-sourcing and cable news? The acclaimed philosopher and novelist Rebecca Newberger Goldstein provides a
dazzlingly original plunge into the drama of philosophy, revealing its hidden role in today’s debates on religion,
morality, politics, and science.
At the origin of Western philosophy stands Plato, who got about as much wrong as one would expect from a thinker who
lived 2,400 years ago. But Plato’s role in shaping philosophy was pivotal. On her way to considering the place of
philosophy in our ongoing intellectual life, Goldstein tells a new story of its origin, re-envisioning the extraordinary
culture that produced the man who produced philosophy.
But it is primarily the fate of philosophy that concerns her. Is the discipline no more than a way of biding our time
until the scientists arrive on the scene? Have they already arrived? Does philosophy itself ever make progress? And if
it does, why is so ancient a figure as Plato of any continuing relevance? Plato at the Googleplex is Goldstein’s
startling investigation of these conundra. She interweaves her narrative with Plato’s own choice for bringing ideas to
Imagine that Plato came to life in the twenty-first century and embarked on a multicity speaking tour. How would he
handle the host of a cable news program who denies there can be morality without religion? How would he mediate a
debate between a Freudian psychoanalyst and a tiger mom on how to raise the perfect child? How would he answer a
neuroscientist who, about to scan Plato’s brain, argues that science has definitively answered the questions of free
will and moral agency? What would Plato make of Google, and of the idea that knowledge can be crowd-sourced rather than
reasoned out by experts? With a philosopher’s depth and a novelist’s imagination and wit, Goldstein probes the deepest
issues confronting us by allowing us to eavesdrop on Plato as he takes on the modern world.
(With black-and-white photographs throughout.)