Breath, Eyes, Memory (Oprah's Book Club)

by Vintage

AED 47

Retail Price:AED 120
You Save:60%

Order now to get it by: Saturday July 15 - Monday July 17

Condition: New

Product ID: 246442

Delivery Information |Returns & Exchanges |Payment Methods


  • Great product!
  • Oprah Book Club® Selection, May 1998: "I come from a place where breath, eyes and memory are one, a place from which you
    carry your past like the hair on your head. Where women return to their children as butterflies or as tears in the eyes
    of the statues that their daughters pray to." The place is Haiti and the speaker is Sophie, the heroine of Edwidge
    Danticat's novel, "Breath, Eyes, Memory." Like her protagonist, Danticat is also Haitian; like her, she was raised in
    Haiti by an aunt until she came to the United States at age 12. Indeed, in her short stories, Danticat has often drawn
    on her background to fund her fiction, and she continues to do so in her debut novel. The story begins in Haiti, on
    Mother's Day, when young Sophie discovers that she is about to leave the only home she has ever known with her Tante
    Atie in Croix-des-Rosets, Haiti, to go live with her mother in New York City. These early chapters in Haiti are lovely,
    subtly evoking the tender, painful relationship between the motherless child and the childless woman who feels honor
    bound to guard the natural mother's rights to the girl's affections above her own. Presented with a Mother's Day card,
    Tante Atie responds: "'It is for a mother, your mother.' She motioned me away with a wave of her hand. 'When it is
    Aunt's Day, you can make me one.'" Danticat also uses these pages to limn a vibrant portrait of life in Haiti from the
    cups of ginger tea and baskets of cassava bread served at community potlucks to the folk tales of a "people in Guinea
    who carry the sky on their heads."

    With Sophie's transition from a fairly happy existence with her aunt and grandmother in rural Haiti to life in New
    York with a mother she has never seen, Danticat's roots as a short-story writer become more evident; "Breath, Eyes,
    Memory" begins to read more like a collection of connected stories than a seamlessly evolved novel. In a couple of short
    chapters, Sophie arrives in New York, meets her mother, makes the acquaintance of her mother's new boyfriend, Marc, and
    discovers that she was the product of a rape when her mother was a teenager in Haiti. The novel then jumps several years
    ahead to Sophie's graduation from high school and her infatuation with an older man who lives next door. Unfortunately,
    this is also the point in the novel where Danticat begins to lay her themes on with a trowel instead of a brush:
    Sophie's mother becomes obsessed with protecting her daughter's virginity, going so far as to administer physical
    "tests" on a regular basis--testing which leads eventually to a rift in their relationship and to Sophie's struggle
    with her own sexuality. Soon the litany of victimization is flying thick and fast: female genital mutilation, incest,
    rape, frigidity, breast cancer, and abortion are the issues that arise in the final third of the novel, eventually
    drowning both fine writing and perceptive characterization under a deluge of angst.

    Still, there is much to admire about "Breath, Eyes, Memory," and if at times the plot becomes overheated, Danticat's
    lyrical, vivid prose offers some real delight. If nothing else, this novel is sure to entice readers to look for
    Danticat's short stories--and possibly to sample other fiction from the West Indies as well. --Alix Wilber