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Some historical events simply beggar any attempt at description--the Holocaust is one of these. Therefore,
as it recedes and the people able to bear witness die, it becomes more and more essential that novel, vigorous methods
are used to describe the indescribable. Examined in these terms, Art Spiegelman's Maus is a tremendous achievement, from
a historical perspective as well as an artistic one.
Spiegelman, a stalwart of the underground comics scene of the 1960s and '70s, interviewed his father, Vladek, a
Holocaust survivor living outside New York City, about his experiences. The artist then deftly translated that story
into a graphic novel. By portraying a true story of the Holocaust in comic form--the Jews are mice, the Germans cats,
the Poles pigs, the French frogs, and the Americans dogs--Spiegelman compels the reader to imagine the action, to fill
in the blanks that are so often shied away from. Reading Maus, you are forced to examine the Holocaust anew.
This is neither easy nor pleasant. However, Vladek Spiegelman and his wife Anna are resourceful heroes, and enough acts
of kindness and decency appear in the tale to spur the reader onward (we also know that the protagonists survive, else
reading would be too painful). This first volume introduces Vladek as a happy young man on the make in pre-war Poland.
With outside events growing ever more ominous, we watch his marriage to Anna, his enlistment in the Polish army after
the outbreak of hostilities, his and Anna's life in the ghetto, and then their flight into hiding as the Final Solution
is put into effect. The ending is stark and terrible, but the worst is yet to come--in the second volume (
/exec/obidos/ASIN/0679729771/%24%7B0%7D ) of this Pulitzer Prize ( http://www..com/exec/obidos/subst/lists/awards/pulitzer.html/%24%7B0%7D )-winning set. --Michael Gerber
From School Library Journal
YA Told with chilling realism in an unusual comic-book format, this is more than a tale of surviving the
Holocaust. Spiegelman relates the effect of those events on the survivors' later years and upon the lives of the
following generation. Each scene opens at the elder Spiegelman's home in Rego Park, N.Y. Art, who was born after the
war, is visiting his father, Vladek, to record his experiences in Nazi-occupied Poland. The Nazis, portrayed as cats,
gradually introduce increasingly repressive measures, until the Jews, drawn as mice, are systematically hunted and
herded toward the Final Solution. Vladek saves himself and his wife by a combination of luck and wits, all the time
enduring the torment of hunted outcast. The other theme of this book is Art's troubled adjustment to life as he, too,
bears the burden of his parents' experiences. This is a complex book. It relates events which young adults, as the
future architects of society, must confront, and their interest is sure to be caught by the skillful graphics and
suspenseful unfolding of the story. Rita G. Keeler, St. John's School , Houston
Copyright 1987 Reed Business Information, Inc.
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