--- product_id: 35176440 title: "Star Trek Beyond (BD/DVD/Digital HD Combo)" price: "AED 45" currency: AED in_stock: true reviews_count: 13 url: https://www.desertcart.ae/products/35176440-star-trek-beyond-bd-dvd-digital-hd-combo store_origin: AE region: United Arab Emirates --- # Star Trek Beyond (BD/DVD/Digital HD Combo) **Price:** AED 45 **Availability:** ✅ In Stock ## Quick Answers - **What is this?** Star Trek Beyond (BD/DVD/Digital HD Combo) - **How much does it cost?** AED 45 with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.ae](https://www.desertcart.ae/products/35176440-star-trek-beyond-bd-dvd-digital-hd-combo) ## Best For - Customers looking for quality international products ## Why This Product - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Description "Star Trek Beyond," the highly anticipated next installment in the globally popular Star Trek franchise, created by Gene Roddenberry and reintroduced by J.J. Abrams in 2009, returns with director Justin Lin (“The Fast and the Furious” franchise) at the helm of this epic voyage of the U.S.S. Enterprise and her intrepid crew. In “Beyond," the Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test. Review: It has all the traits of the new films but adds in far more Trek "flavoring" *Spoilers* - As I sit down to write this "review" of Beyond I'm listening to the soundtrack for the first time on Spotify, and I think the sentiments it's evoking are basically the same for the movie. It has all the traits of the new films but adds in far more Trek "flavoring" which seems very familiar to fans and should satisfy them even more. Far from making it more like Guardians of the Galaxy, the movie went the opposite direction, making it for fans..something I wasn't really originally expecting but may also be affecting it's box office. The 6 original films had a certain "feel". The Next Generation films had one film that felt somewhat like the older films, then 3 with their own tone. The JJ Abrams era began with a retro-original series reawakening of the Roddenberry mission statement from the series "Bible": action-adventure, but with a big budget, huge scale that couldn't have even been imagined with ST: The Motion Picture, the most epic of the original film series. Star Trek had come of age. No longer was it the bastard stepchild of the studio which was the product of complex cost-to-profit ratios that made the movies feel like glossier tv episodes. No one can say that the first two JJ movies do not have differences beyond all the callbacks to TOS however. In the roughly 2 hour run-time for Beyond, the entire world of Trek we saw in hundreds of episodes has to be distilled down from 4 hours of film. That's the entire backdrop of this new universe. It's ripe for all sorts of nit-picking just outside of the story. As such, the movies took awhile to get more quiet and intimate...to have our characters pair off, talk with each other more and really work as a team. So despite two great films in this new "trilogy", with the two over-arching themes being Kirk's development and Spock's trials and tribulations, the films were simply two very well made stand-alones. Beyond brings them both together. In his performance, Pine is now uncannily TOS Kirk. The development of Kirk is happening just as I predicted it: We have the brash, immature Kirk in ST09; the more seasoned but still petulant Kirk who acts on impulse in STID, he makes mistakes but learned from them at the end of the movie; to finally the more developed Kirk who would appear to us to be Kirk from the TV show. This is the exact impression I get from Kirk in Beyond. For all intents and purposes, he starts out in Beyond as the diplomat from certain TOS episodes, negotiating a treaty. His scenes with Bones recall similar soul searching from other movies and Tv episodes..he has gotten past the excitement of exploration and now, despite the technology and volume on a huge starship, he is feeling the oppression of being alone in deep space and encountering numerous dangers that take a toll on one's mindset: a theme that runs parallel to the other captain from Beyond: Balthazar Edison, but in a more extreme fashion. He is the quintessential crazy captain...another staple of the original series. This recognition near the end of the movie dramatically serves to strengthen our empathy with another captain who has gone rogue, but really is just a step or two away from the captains we identify with such as Kirk. Spock's story is less relevant to the film overall, but provides us with further character development as well as memorializing an icon of pop culture. That this film took time to have both a scene on Yorktown and also later in the film to honor Spock Prime/Nimoy is to it's great credit. Justin Lin's direction emphasizing Spock's "aloneness" as he came to grips with Spock's death is terrific. Quinto's Spock has a relevatory moment towards the end of the film as he realizes he doesn't want to leave the Enterprise for New Vulcan. It's one of his best acting moments. Other characters are well served and contribute to the plot moving forward but the real fun is watching them work together. This has really become a family and it appears the off-camera "team" gets along way better than the original actors. Of obvious note, McCoy gets more screen time here and is the heart and soul of many a scene. Jaylah is a welcome addition to the characters, and it's nice to see another female character take center stage. She's a renaissance woman! Engineer, ninja, tattoo artist, music fan. The plot here is not complex..it IS a revenge story so again with these things, it's the telling that's more important than the details. Is it any more or less compelling than Khan? Nero? Shinzon? Khan lost an empire and a wife. Nero, an entire world. Shinzon was emo. Krall couldn't adapt to a new way of life. He existed at the time of a great paradigm shift from a regional space culture with Earth centrism, to an interplanetary UN (ironically these points are more relevant than ever with divisive conservative movements all over the world trying to break up factions of human beings. The message of unity in this movie is so refreshing and a metaphor for the UFP itself!). He seemed to go along with it all, but when his ship crashed, and no one came to help him and his crew, he went off the deep end. His mind twisted by alien tech, loneliness and philosophical differences. Despite being able to leave at some point, his twisted mind led him to stay and plot against the UFP. Unlike some reactions to the film, I think this background to an "alien" character actually helps the film. When I saw Idris's face, I knew there would be more depth to the madness. To my surprise, Krall was in many more scenes of the film than expected, contrary to reports he disappeared in parts of the film..he is there throughout and very much an acting presence. Another thing I like about Krall and the Swarm: I'm just so happy it's not Klingons or Romulans and that both their appearance and tech are totally different. It's so different, the Enterporise is not equipped to handle an attack by so many ships at one time. It's truly an original sequence for Star Trek and rarely seen anywhere else on film. The attack on the Enterprise was much longer than I anticipated and a much better set-piece sequence than even the commercials let on. Never have we seen movement through and around the ship with such detail..crewman running through corridors seen from outside, panning, sweeping shots of relative positions of what is occurring. Yes we've seen ship destruction before, but again how was it accomplished? Surely this is better than any similar scenes we've seen before. So we have terrific character work, a good message and a good "villain". Does it pay off? Well there is a "MacGuffin". That's not a dirty word, and of course the popularizer of the term: Alfred Hitchcock, used them more than a few times. It serves well enough to provide character motives for the rescue mission and for everyone meeting up at Yorktown at the climax. It also provides us with one of the more graphic scenes in Star Trek: the torture and killing of several crewman with the new weapon and Krall's vampiric like absorbption of living beings. The main question here is a bit of a plot hole: Why does Krall need this weapon if his ships can already overwhelm the Yorktown defenses? Ultimately, he does wind up needing it because of what happens to his ships.. As someone pointed out on Twitter, Beyond is the first time there is a movie plot where a black man has been defeated by white rappers. Ironically, a review of mine online for the ST: Voyager TV show episode: "The Swarm" which has similar aliens and technological connection between their swarm-like ships, declared simply jamming the frequency between Swarm ships was too easy a resolution to the puzzle...and of course they used a similar solution here, but this time with VHF 20th century classics. This is one of the weaker points of the movie though the result is an epic chain reaction. There probably is very litle science behind ships bursting into flames from sound waves unless it somehow affected the mechanism used to generate them as they shut off abruptly. The final scenes in Starbase Yorktown were more compelling. Krall's fighter chase was thrilling with some of the most spectacular visuals in Trek history, and the scenes of the fight and chase in lower gravity between Kirk and Krall were something closer to what I would have liked for Kirk's death in Generations if the fight had boiled down to fisticuffs as it did. Another one of the best scenes ever in Trek history occurs at the end of the film..a time-lapse build of the NEW Enterprise-A. Off the new beauty sails into the darkness and mystery of space. The ending re-affirms both the Star Trek family, and symbollically, the theme of unity Yorktown represents. Both multi-cultural, both working together to make a better universe. A great, though not perfect film. Miscellany: Justin Lin was a great choice for director. By comparison, the outside "action" director Stuart Baird really infused very little style or nuance into Nemesis despite making the best looking film since STTMP. Lin is no one trick pony. The "look" of the movie was darker and more muted but still had a technological glow to it. We had some of the best scenes of Starfleet and Federation world-building ever. Starbase Yorktown was a revelation. A technological wonder. The cinematography was probably the best of any ST movie. Despite a different FX company, the movie continued and probably exceeded the very real looking, solid CGI work that we saw in Into Darkness. I might give a slight edge to the spaceship work of ILM, but everything else was probably better. The "Easter eggs" were fantastic, and definitely increased my enjoyment of the film because of the 50th anniversary. My favorite was possibly the nod to "Corbomite Maneuver" and the unexpected byproducts of exploration..complete surprise of the scale of a situation. The aforementioned soundtrack. It's simply the best one since the 1980s. Nostalgia fuel. My only decision...I rated it an "A" on a poll elsewhere, but I feel it's on parallel with ST09 in overall quality, so I had to decide if it will replace that as my number 1 film in Star Trek history. At this time I'm going to put it there, though I'll make a more concrete decision after I see it in the theater again. 1. STB 2. ST09 3. STID 4. STII 5. STFC 6. STIV 7. STNEM 8. STIII 9. STVI 10. STINS 11. STTMP 12. STGEN 13. STV Review: "Star Trek" Finally Achieves Its Solid Footing with Action/Adventure SciFi! - After wrestling my copy of "ST:B" away from my husband (he wanted to wrap it and put it under the Christmas tree), I've now watched it several times. I LOVE this movie, make no mistake. But I posted/blogged about it all year, and wanted to give a better review than one word/sentence, or rehashing the whole plot. I think the theme of this wonderful movie was PERSPECTIVE. It starts at the very beginning, as Capt. Kirk is trying to negotiate a peace treaty with boisterous, angry animalistic humanoids - who are not nearly as fearsome as they first appear. Through the mesmerizing "swarm attack", (where the CGI guys probably studied Starling Murmuration: [...] ) That was the maximum perspective. The minimum swarm perspective was much more personal, and dreadful to watch. It is a superb action/adventure within its Star Trek framework, and Director Justin Lin got excellent performances out of the entire cast. Simon Pegg turned in a great script, and even the set designers made the Canadian scenery look interestingly-alien. There were even soulful scenes touching on Leonard Nimoy's death (where the original Spock dies in the movie too) that radically changes Quinto's Spock's perspective on his life. And Anton Yelchin (Checkov), killed in horrible accident after filming was finished, got another touching send-off, in an escape pod that ejected into a "heavenly" blue sky with clouds, since the Enterprise was close enough to the planet at that point, instead of just space-and-stars. Very nice touches. I liked the villain, Krall, more than others did. To me, he represented the worst kind of enemy: one of "their own" who felt betrayed, a "soldier" who knew everything the crew did, and used it against them to carry out his terrible revenge. His fistfight with Captain Kirk on a ceiling in low gravity was a nice new-perspective touch too. And I would have liked to have known more about his shape-shifting. The new character of Jayla was a mysterious, multi-faceted alien, that Chris Pine's Kirk was obviously attracted too. He even saved her from a kick-boxing fight, where she held her own with one of Krall's henchmen. Although what they do with the character at the end, doesn't leave much room for a Kirk/Jayla romance in the near future. As the Federation recognizes her skills and is ready to engulf and re-brand her as "theirs." And that strange romance between Spock and Uhura became a little clearer with this movie's "perspective." Spock had given her an ancestral necklace that turned out to be a life-saving device for the whole crew. So this pair has a tangled relationship, the Brain and the Beauty, as Spock starts to drift away with his overwhelming concern for New Vulcan. (Too bad they killed off Krall, he seemed to have the hots for Uhura, and never put her in direct danger.) One intriguing mystery is the invisibility-cloak over the USS Franklin. In this new Kelvin timeline, does the Federation (or Jayla's technology) have a "hologram cloaking device" before the Romulons/Klingons' Bird of Prey does? That was featured in the first movies with the Classic Crew? I'd really like to see where THAT goes! Terrific movie, where the Enterprise crew finally finds their exploration footing, and a new perspective on what their "job" in outer space is all about. Especially with new realistic and relatable aliens that confound, infuriate, backstab - or help save the day. Kudos! ## Technical Specifications | Specification | Value | |---------------|-------| | Contributor | Anton Yelchin, Chris Pine, Idris Elba, John Cho, Karl Urban, Simon Pegg, Sofia Boutella, Zachary Quinto, Zoë Saldana Contributor Anton Yelchin, Chris Pine, Idris Elba, John Cho, Karl Urban, Simon Pegg, Sofia Boutella, Zachary Quinto, Zoë Saldana See more | | Customer Reviews | 4.8 out of 5 stars 7,359 Reviews | | Format | Blu-ray, DVD, Digital | | Genre | Action/Adventure, Sci-Fi | | Language | English | | Runtime | 2 hours and 2 minutes | ## Product Details - **Genre:** Action/Adventure, Sci-Fi - **Format:** Blu-ray, DVD, Digital - **Contributor:** Anton Yelchin, Chris Pine, Idris Elba, John Cho, Karl Urban, Simon Pegg, Sofia Boutella, Zachary Quinto, Zoë Saldana - **Language:** English - **Runtime:** 2 hours and 2 minutes ## Images ![Star Trek Beyond (BD/DVD/Digital HD Combo) - Image 1](https://m.media-amazon.com/images/I/910wTctUPlL.jpg) ![Star Trek Beyond (BD/DVD/Digital HD Combo) - Image 2](https://m.media-amazon.com/images/I/91lrLCnFowL.jpg) ## Customer Reviews ### ⭐⭐⭐⭐⭐ It has all the traits of the new films but adds in far more Trek "flavoring" *Spoilers* *by O***E on August 5, 2016* As I sit down to write this "review" of Beyond I'm listening to the soundtrack for the first time on Spotify, and I think the sentiments it's evoking are basically the same for the movie. It has all the traits of the new films but adds in far more Trek "flavoring" which seems very familiar to fans and should satisfy them even more. Far from making it more like Guardians of the Galaxy, the movie went the opposite direction, making it for fans..something I wasn't really originally expecting but may also be affecting it's box office. The 6 original films had a certain "feel". The Next Generation films had one film that felt somewhat like the older films, then 3 with their own tone. The JJ Abrams era began with a retro-original series reawakening of the Roddenberry mission statement from the series "Bible": action-adventure, but with a big budget, huge scale that couldn't have even been imagined with ST: The Motion Picture, the most epic of the original film series. Star Trek had come of age. No longer was it the bastard stepchild of the studio which was the product of complex cost-to-profit ratios that made the movies feel like glossier tv episodes. No one can say that the first two JJ movies do not have differences beyond all the callbacks to TOS however. In the roughly 2 hour run-time for Beyond, the entire world of Trek we saw in hundreds of episodes has to be distilled down from 4 hours of film. That's the entire backdrop of this new universe. It's ripe for all sorts of nit-picking just outside of the story. As such, the movies took awhile to get more quiet and intimate...to have our characters pair off, talk with each other more and really work as a team. So despite two great films in this new "trilogy", with the two over-arching themes being Kirk's development and Spock's trials and tribulations, the films were simply two very well made stand-alones. Beyond brings them both together. In his performance, Pine is now uncannily TOS Kirk. The development of Kirk is happening just as I predicted it: We have the brash, immature Kirk in ST09; the more seasoned but still petulant Kirk who acts on impulse in STID, he makes mistakes but learned from them at the end of the movie; to finally the more developed Kirk who would appear to us to be Kirk from the TV show. This is the exact impression I get from Kirk in Beyond. For all intents and purposes, he starts out in Beyond as the diplomat from certain TOS episodes, negotiating a treaty. His scenes with Bones recall similar soul searching from other movies and Tv episodes..he has gotten past the excitement of exploration and now, despite the technology and volume on a huge starship, he is feeling the oppression of being alone in deep space and encountering numerous dangers that take a toll on one's mindset: a theme that runs parallel to the other captain from Beyond: Balthazar Edison, but in a more extreme fashion. He is the quintessential crazy captain...another staple of the original series. This recognition near the end of the movie dramatically serves to strengthen our empathy with another captain who has gone rogue, but really is just a step or two away from the captains we identify with such as Kirk. Spock's story is less relevant to the film overall, but provides us with further character development as well as memorializing an icon of pop culture. That this film took time to have both a scene on Yorktown and also later in the film to honor Spock Prime/Nimoy is to it's great credit. Justin Lin's direction emphasizing Spock's "aloneness" as he came to grips with Spock's death is terrific. Quinto's Spock has a relevatory moment towards the end of the film as he realizes he doesn't want to leave the Enterprise for New Vulcan. It's one of his best acting moments. Other characters are well served and contribute to the plot moving forward but the real fun is watching them work together. This has really become a family and it appears the off-camera "team" gets along way better than the original actors. Of obvious note, McCoy gets more screen time here and is the heart and soul of many a scene. Jaylah is a welcome addition to the characters, and it's nice to see another female character take center stage. She's a renaissance woman! Engineer, ninja, tattoo artist, music fan. The plot here is not complex..it IS a revenge story so again with these things, it's the telling that's more important than the details. Is it any more or less compelling than Khan? Nero? Shinzon? Khan lost an empire and a wife. Nero, an entire world. Shinzon was emo. Krall couldn't adapt to a new way of life. He existed at the time of a great paradigm shift from a regional space culture with Earth centrism, to an interplanetary UN (ironically these points are more relevant than ever with divisive conservative movements all over the world trying to break up factions of human beings. The message of unity in this movie is so refreshing and a metaphor for the UFP itself!). He seemed to go along with it all, but when his ship crashed, and no one came to help him and his crew, he went off the deep end. His mind twisted by alien tech, loneliness and philosophical differences. Despite being able to leave at some point, his twisted mind led him to stay and plot against the UFP. Unlike some reactions to the film, I think this background to an "alien" character actually helps the film. When I saw Idris's face, I knew there would be more depth to the madness. To my surprise, Krall was in many more scenes of the film than expected, contrary to reports he disappeared in parts of the film..he is there throughout and very much an acting presence. Another thing I like about Krall and the Swarm: I'm just so happy it's not Klingons or Romulans and that both their appearance and tech are totally different. It's so different, the Enterporise is not equipped to handle an attack by so many ships at one time. It's truly an original sequence for Star Trek and rarely seen anywhere else on film. The attack on the Enterprise was much longer than I anticipated and a much better set-piece sequence than even the commercials let on. Never have we seen movement through and around the ship with such detail..crewman running through corridors seen from outside, panning, sweeping shots of relative positions of what is occurring. Yes we've seen ship destruction before, but again how was it accomplished? Surely this is better than any similar scenes we've seen before. So we have terrific character work, a good message and a good "villain". Does it pay off? Well there is a "MacGuffin". That's not a dirty word, and of course the popularizer of the term: Alfred Hitchcock, used them more than a few times. It serves well enough to provide character motives for the rescue mission and for everyone meeting up at Yorktown at the climax. It also provides us with one of the more graphic scenes in Star Trek: the torture and killing of several crewman with the new weapon and Krall's vampiric like absorbption of living beings. The main question here is a bit of a plot hole: Why does Krall need this weapon if his ships can already overwhelm the Yorktown defenses? Ultimately, he does wind up needing it because of what happens to his ships.. As someone pointed out on Twitter, Beyond is the first time there is a movie plot where a black man has been defeated by white rappers. Ironically, a review of mine online for the ST: Voyager TV show episode: "The Swarm" which has similar aliens and technological connection between their swarm-like ships, declared simply jamming the frequency between Swarm ships was too easy a resolution to the puzzle...and of course they used a similar solution here, but this time with VHF 20th century classics. This is one of the weaker points of the movie though the result is an epic chain reaction. There probably is very litle science behind ships bursting into flames from sound waves unless it somehow affected the mechanism used to generate them as they shut off abruptly. The final scenes in Starbase Yorktown were more compelling. Krall's fighter chase was thrilling with some of the most spectacular visuals in Trek history, and the scenes of the fight and chase in lower gravity between Kirk and Krall were something closer to what I would have liked for Kirk's death in Generations if the fight had boiled down to fisticuffs as it did. Another one of the best scenes ever in Trek history occurs at the end of the film..a time-lapse build of the NEW Enterprise-A. Off the new beauty sails into the darkness and mystery of space. The ending re-affirms both the Star Trek family, and symbollically, the theme of unity Yorktown represents. Both multi-cultural, both working together to make a better universe. A great, though not perfect film. Miscellany: Justin Lin was a great choice for director. By comparison, the outside "action" director Stuart Baird really infused very little style or nuance into Nemesis despite making the best looking film since STTMP. Lin is no one trick pony. The "look" of the movie was darker and more muted but still had a technological glow to it. We had some of the best scenes of Starfleet and Federation world-building ever. Starbase Yorktown was a revelation. A technological wonder. The cinematography was probably the best of any ST movie. Despite a different FX company, the movie continued and probably exceeded the very real looking, solid CGI work that we saw in Into Darkness. I might give a slight edge to the spaceship work of ILM, but everything else was probably better. The "Easter eggs" were fantastic, and definitely increased my enjoyment of the film because of the 50th anniversary. My favorite was possibly the nod to "Corbomite Maneuver" and the unexpected byproducts of exploration..complete surprise of the scale of a situation. The aforementioned soundtrack. It's simply the best one since the 1980s. Nostalgia fuel. My only decision...I rated it an "A" on a poll elsewhere, but I feel it's on parallel with ST09 in overall quality, so I had to decide if it will replace that as my number 1 film in Star Trek history. At this time I'm going to put it there, though I'll make a more concrete decision after I see it in the theater again. 1. STB 2. ST09 3. STID 4. STII 5. STFC 6. STIV 7. STNEM 8. STIII 9. STVI 10. STINS 11. STTMP 12. STGEN 13. STV ### ⭐⭐⭐⭐⭐ "Star Trek" Finally Achieves Its Solid Footing with Action/Adventure SciFi! *by M***N on December 4, 2016* After wrestling my copy of "ST:B" away from my husband (he wanted to wrap it and put it under the Christmas tree), I've now watched it several times. I LOVE this movie, make no mistake. But I posted/blogged about it all year, and wanted to give a better review than one word/sentence, or rehashing the whole plot. I think the theme of this wonderful movie was PERSPECTIVE. It starts at the very beginning, as Capt. Kirk is trying to negotiate a peace treaty with boisterous, angry animalistic humanoids - who are not nearly as fearsome as they first appear. Through the mesmerizing "swarm attack", (where the CGI guys probably studied Starling Murmuration: [...] ) That was the maximum perspective. The minimum swarm perspective was much more personal, and dreadful to watch. It is a superb action/adventure within its Star Trek framework, and Director Justin Lin got excellent performances out of the entire cast. Simon Pegg turned in a great script, and even the set designers made the Canadian scenery look interestingly-alien. There were even soulful scenes touching on Leonard Nimoy's death (where the original Spock dies in the movie too) that radically changes Quinto's Spock's perspective on his life. And Anton Yelchin (Checkov), killed in horrible accident after filming was finished, got another touching send-off, in an escape pod that ejected into a "heavenly" blue sky with clouds, since the Enterprise was close enough to the planet at that point, instead of just space-and-stars. Very nice touches. I liked the villain, Krall, more than others did. To me, he represented the worst kind of enemy: one of "their own" who felt betrayed, a "soldier" who knew everything the crew did, and used it against them to carry out his terrible revenge. His fistfight with Captain Kirk on a ceiling in low gravity was a nice new-perspective touch too. And I would have liked to have known more about his shape-shifting. The new character of Jayla was a mysterious, multi-faceted alien, that Chris Pine's Kirk was obviously attracted too. He even saved her from a kick-boxing fight, where she held her own with one of Krall's henchmen. Although what they do with the character at the end, doesn't leave much room for a Kirk/Jayla romance in the near future. As the Federation recognizes her skills and is ready to engulf and re-brand her as "theirs." And that strange romance between Spock and Uhura became a little clearer with this movie's "perspective." Spock had given her an ancestral necklace that turned out to be a life-saving device for the whole crew. So this pair has a tangled relationship, the Brain and the Beauty, as Spock starts to drift away with his overwhelming concern for New Vulcan. (Too bad they killed off Krall, he seemed to have the hots for Uhura, and never put her in direct danger.) One intriguing mystery is the invisibility-cloak over the USS Franklin. In this new Kelvin timeline, does the Federation (or Jayla's technology) have a "hologram cloaking device" before the Romulons/Klingons' Bird of Prey does? That was featured in the first movies with the Classic Crew? I'd really like to see where THAT goes! Terrific movie, where the Enterprise crew finally finds their exploration footing, and a new perspective on what their "job" in outer space is all about. Especially with new realistic and relatable aliens that confound, infuriate, backstab - or help save the day. Kudos! ### ⭐⭐⭐⭐⭐ I think I liked this one better than the second one! *by C***4 on February 23, 2017* I think I liked this one better than the second one! My background: I have watched all of the TOS and TNG movies and all the TV shows. I also play Star Trek Attack Wing on the side for some fun. But I have not got to the books yet, so I guess I am not a full Trekkie. :) Disclaimer: I really enjoyed the revamp the first Star Trek 2009 gave us. It was fresh and fun. The stuff I did not like (what was up with the engine room?) was easily looked over for how much I enjoyed the characters and action. While I liked the second movie, Star Trek Into Darkness, I felt like they threw the first one back at us with a different villain. They just felt so similar. Now Star Trek Beyond was awesome. It took what I loved about the first 2009 movie and added all the stuff I loved about the tv shows. It even had Kirk and Bones drinking together in the mess hall. The crew of the Enterprise is stranded on an unknown planet in a nebula with no hope of rescue. It was just like many episodes of TOS and even Voyager. The people we already love had to learn how to work together in different ways. Personally, the movie is worth the price just to see Yorktown, the space-station that Bones says looks like a snow-globe. It was an amazing feat of imagination and CGI. Loved it. ## Frequently Bought Together - Star Trek Beyond (BD/DVD/Digital HD Combo) - Star Trek Into Darkness (Blu-ray + DVD + Digital HD) - Star Trek (4k Ultra HD + Blu-Ray + Digital HD) [4K UHD] --- ## Why Shop on Desertcart? - 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016 - 🌍 **Shop Globally** — Access 737+ million products across 21 categories - 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price - 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members) - 🔒 **Secure Payments** — Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.ae/products/35176440-star-trek-beyond-bd-dvd-digital-hd-combo](https://www.desertcart.ae/products/35176440-star-trek-beyond-bd-dvd-digital-hd-combo) --- *Product available on Desertcart United Arab Emirates* *Store origin: AE* *Last updated: 2026-08-13*