---
product_id: 48593454
title: "Dance Music Manual: Tools, Toys, and Techniques"
brand: "rick snoman"
price: "AED 294"
currency: AED
in_stock: true
reviews_count: 11
url: https://www.desertcart.ae/products/48593454-dance-music-manual-tools-toys-and-techniques
store_origin: AE
region: United Arab Emirates
---

# Dance Music Manual: Tools, Toys, and Techniques

**Brand:** rick snoman
**Price:** AED 294
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Dance Music Manual: Tools, Toys, and Techniques by rick snoman
- **How much does it cost?** AED 294 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.ae](https://www.desertcart.ae/products/48593454-dance-music-manual-tools-toys-and-techniques)

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- rick snoman enthusiasts

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## Description

Dance Music Manual: Tools, Toys, and Techniques

## Images

![Dance Music Manual: Tools, Toys, and Techniques - Image 1](https://m.media-amazon.com/images/I/71w65sbE9OL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    opens the door to music production and related topics
  

*by N***Y on Reviewed in the United Kingdom on 23 February 2017*

the dance music manual try's to cover a lot of ground in one book, which is both its strength and its weakness, it covers areas as diverse as music theory to publishing and promotion. its a great book if your looking for a gate way to dance music production in general, but if your looking for a genre specific book then its not for you. an example of this would be the chapters on specific dance genres which other reviewers have been critical of. they are an overview of the general components of each genre and in my reading are not meant to be definitive, but rather give the reader a basic insight. also, its worth pointing out that music (especially dance music) is in flux from year to year, so trying to define a genre is always going to be subject to changing currents.from a personal point of view the booked served as an induction in to the wider world of music theory and production, introducing me to topics like synthesis, midi, sampling and recording. each of these topics are obviously detailed more thoroughly in specific literature, but as i pointed out in the case of the genres i don't think the book is meant to be an exhaustive account of each subject.I think the people who will benefit from this book the most are those who fall under the category of "bedroom producer", who has access through a digital audio work station to the means of making music but is limited by knowledge. the dance music manual opens up the door to this knowledge and sets a good foundation for a comprehensive understanding of music production and related topics.

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    No nonsense, to the point, practical advice and explanations. One of the best £20 I've spent on the subject.
  

*by M***R on Reviewed in the United Kingdom on 7 April 2015*

I learnt more practical music theory in the first week of owning this book than I did in two years of a music diploma. Rick has a wonderfully no nonsense approach and of course relates everything back to the electronic producer, something texts such as Sound On Sound sometimes neglect.As for the actual hands on side of production, this book covers most of everything to some level of detail. If you've been at electronic music production for a while now, most if not everything in this book will be familiar, so if you are looking for some new game changing piece of information then you wont find it here. If however a compressor is still a tad daunting to set up then this could well be the explanation that makes it click. Again Rick's writing style cuts straight to the point.One part I particularly like is the practical sound design chapter. Running through the different sounds is a great introduction to synthesis; both an insight into how it works as well as into how a few classic sounds are made.

### ⭐⭐⭐⭐ 4.0 out of 5 stars







  
  
    Good content, poor editing
  

*by J***K on Reviewed in the United Kingdom on 29 March 2015*

It's tough to rate this book fairly...On the plus side, it's an ambitious attempt to cover the whole spectrum of dance music production (in fact a lot of the book will be suitable in general for any electronic music production).  He does a decent job of explaining all the way from music theory through to the fundamentals of digital music, and then sound design and music production for trance/dubstep/ambient, and a few other music styles.  So there's no shortage of interesting content and information.  However, there are definitely sections where it's superficial.  I question whether three chapters on music theory is really going to be more than a starter for anyone - there's plenty of details left out and he skips very quickly through some fundamental concepts.  The price of having so much material in one book.A very definite downside though, it's absolutely riddled with little mistakes, which is surprising given that this is the third edition, so you'd think a lot of stuff would have been fixed up by now.  There are many grammatical mistakes, enough illogical sentences to be noticeable, and the author has clearly lost the battle with the humble apostrophe.  A few errors here and there wouldn't be a big deal, but holy cow, there are mistakes on every page.  (In fact - it got so annoying for me that if the author sends me a copy I'd be more than happy to send it back with corrections.)So - the content is good, if ambitious, but the text itself is downright annoying to read after a while.  If you can survive the latter, it's worth buying.

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*Product available on Desertcart United Arab Emirates*
*Store origin: AE*
*Last updated: 2026-04-23*