undefined

Product Description ------------------- ATL (BD) Four teenagers come of age in a working-class Atlanta neighborhood where hip-hop sizzles and roller skating rules. Seventeen-year-old ad (Tip Harris) was forced to become the man of the house early. Since the death of his parents, he's been responsible for himself and his little brother, Ant (Evan Ross). As ad tries to keep Ant in school and out of trouble, the only bright spot in his life is New-New (Lauren London), who sees something special in him, something more than he sees. When the two meet, ad's future starts to open up for the first time. But New-New has a secret that's getting harder and harder to keep. ]]> .com ---- If you've grown weary of gangsta thrillers and violent depictions of thug life, ATL will hit you like a breath of fresh air. Based on a story by Antwone Fisher (writer and subject of the 2003 film that bears his name) and written by Tina Gordon Chism, it's essentially a contemporary African-American riff on American Graffiti, focusing on a group of teenagers on the cusp of adulthood, learning valuable life lessons as they strive to make a better future for themselves and their loved ones. The title refers to the airport designation for Atlanta, and that's where orphaned 17-year-old ad (Tip Harris, aka rapper T.I.) lives with his younger brother Anton (Evan Ross) and uncle George (Mykelti Williamson). They're poor like most Southside families, but they're making ends meet, caring for each other and forging life-long friendships with guys like the smart, ambitious Esquire (Jackie Long), transed New Yorker Brooklyn (Albert Daniels), and likable homeboy Teddy (Jason Weaver). On Sunday nights they hang at the Cascade roller rink, trying to impress the girls with their latest moves, and director Chris Robinson (veteran of many music videos) captures it all with casual momentum and genuine affection for his characters. A little too casual perhaps (the pacing sometimes lags), but with a lively mix of color and music, ATL manages to be positive and hopeful without sanitizing the harsher realities (including drugs and violence) of modern urban America. There are threats and obstacles to overcome, but ATL is all about potential, striving for goals and accepting responsibility for one's own actions. Between this and Get Rich or Die Tryin', which example would you prefer to follow? --Jeff Shannon