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Into Thin Air: A Personal Account of the Mt. Everest Disaster

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Review
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"... he has produced a narrative that is both meticulously researched and deftly constructed. Unlike the
expedition, his story rushes irresistibly forward. But perhaps Mr. Krakauer's greatest achievement is his evocation of
the deadly storm, his ability to re-create its effects with a lucid and terrifying intimacy." —Alastair Scott, The New
York Times Book Review

"This is a great book, among the best ever on mountaineering. Gracefully and efficiently written, carefully researched,
and actually lived by its narrator, it shares a similar theme with another sort of book, a novel called "The Great
Gatsby." —The Washington Post

"Into Thin Air ranks among the great adventure books of all time." —The Wall Street Journal

"Krakauer is an extremely gifted storyteller as well as a relentlessly honest and even-handed journalist, the story is
riveting and wonderfully complex in its own right, and Krakauer makes one excellent decision after another about how to
tell it.... To call the book an adventure saga seems not to recognize that it is also a deeply thoughtful and finely
wrought philosophical examination of the self." —Elle

"Hypnotic, rattling.... Time collapses as, minute by minute, Krakauer rivetingly and movingly chronicles what ensued,
much of which is near agony to read.... A brilliantly told story that won't go begging when the year's literary honors
are doled out." —Kirkus Reviews

"Though it comes from the genre named for what it isn't (nonfiction), this has the feel of literature: Krakauer is
Ishmael, the narrator who lives to tell the story but is forever trapped within it.... Krakauer's reporting is steady
but ferocious. The clink of ice in a glass, a poem of winter snow, will never sound the same."
—Mirabella

"Into Thin Air is a remarkable work of reportage and self-examination.... And no book on the 1996 disaster is likely to
consider so honestly the mistakes that killed his colleagues." —Newsday

"A harrowing tale of the perils of high-altitude climbing, a story of bad luck and worse judgment and of heartbreaking
heroism." —People

"In this movingly written book, Krakauer describes an experience of such bone-chilling horror as to persuade even the
most fanatical alpinists to seek sanctuary at sea level." —Sports Illustrated

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From the Inside Flap
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A bank of clouds was assembling on the not-so-distant horizon, but journalist-mountaineer Jon Krakauer,
standing on the summit of Mt. Everest, saw nothing that "suggested that a murderous storm was bearing down." He was
wrong. The storm, which claimed five lives and left countless more--including Krakauer's--in guilt-ridden disarray,
would also provide the impetus for Into Thin Air, Krakauer's epic account of the May 1996 disaster.
By writing Into Thin Air, Krakauer may have hoped to exorcise some of his own demons and lay to rest some of the painful
questions that still surround the event. He takes great pains to provide a balanced picture of the people and events he
witnessed and gives due credit to the tireless and dedicated Sherpas. He also avoids blasting easy targets such as Sandy
Pittman, the wealthy socialite who brought an espresso maker along on the expedition. Krakauer's highly personal inquiry
into the catastrophe provides a great deal of insight into what went wrong. But for Krakauer himself, further interviews
and investigations only lead him to the conclusion that his perceived failures were directly responsible for a fellow
climber's death. Clearly, Krakauer remains haunted by the disaster, and although he relates a number of incidents in
which he acted selflessly and even heroically, he seems unable to view those instances objectively. In the end, despite
his evenhanded and even generous assessment of others' actions, he reserves a full measure of vitriol for himself.
This updated trade paperback edition of Into Thin Air includes an extensive new postscript that sheds fascinating light
on the acrimonious debate that flared between Krakauer and Everest guideAnatoli Boukreev in the wake of the tragedy. "I
have no doubt that Boukreev's intentions were good on summit day," writes Krakauer in the postscript, dated August 1999.
"What disturbs me, though, was Boukreev's refusal to acknowledge the possibility that he made even a single poor
decision. Never did he indicate that perhaps it wasn't the best choice to climb without gas or go down ahead of his
clients." As usual, Krakauer supports his points with dogged research and a good dose of humility. But rather than
continue the heated discourse that has raged since Into Thin Air's denouncement of guide Boukreev, Krakauer's tone is
conciliatory; he points most of his criticism at G. Weston De Walt, who coauthored The Climb, Boukreev's version of
events. And in a touching conclusion, Krakauer recounts his last conversation with the late Boukreev, in which the two
weathered climbers agreed to disagree about certain points. Krakauer had great hopes to patch things up with Boukreev,
but the Russian later died in an avalanche on another Himalayan peak, Annapurna I.
In 1999, Krakauer received an Academy Award in Literature from the American Academy of Arts and Letters--a prestigious
prize intended "to honor writers of exceptional accomplishment." According to the Academy's citation, "Krakauer combines
the tenacity and courage of the finest tradition of investigative journalism with the stylish subtlety and profound
insight of the born writer. His account of an ascent of Mount Everest has led to a general reevaluation of climbing and
of the commercialization of what was once a romantic, solitary sport; while his account of the life and death of
Christopher McCandless, who died of starvation afterchallenging the Alaskan wilderness, delves even more deeply and
disturbingly into the fascination of nature and the devastating effects of its lure on a young and curious mind."

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