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In his now classic Zen and the Art of Motorcycle Maintenance, Robert Pirsig brings us a literary chautauqua, a novel
that is meant to both entertain and edify. It scores high on both counts.
Phaedrus, our narrator, takes a present-tense cross-country motorcycle trip with his son during which the maintenance
of the motorcycle becomes an illustration of how we can unify the cold, rational realm of technology with the warm,
imaginative realm of artistry. As in Zen, the trick is to become one with the activity, to engage in it fully, to see
and appreciate all details--be it hiking in the woods, penning an essay, or tightening the chain on a motorcycle.
In his autobiographical first novel, Pirsig wrestles both with the ghost of his past and with the most important
philosophical questions of the 20th century--why has technology alienated us from our world? what are the limits of
rational analysis? if we can't define the good, how can we live it? Unfortunately, while exploring the defects of our
philosophical heritage from Socrates and the Sophists to Hume and Kant, Pirsig inexplicably stops at the middle of the
19th century. With the exception of Poincaré, he ignores the more recent philosophers who have tackled his most urgent
questions, thinkers such as Peirce, Nietzsche (to whom Phaedrus bears a passing resemblance), Heidegger, Whitehead,
Dewey, Sartre, Wittgenstein, and Kuhn. In the end, the narrator's claims to originality turn out to be overstated, his
reasoning questionable, and his understanding of the history of Western thought sketchy. His solution to a synthesis of
the rational and creative by elevating Quality to a metaphysical level simply repeats the mistakes of the premodern
philosophers. But in contrast to most other philosophers, Pirsig writes a compelling story. And he is a true innovator
in his attempt to popularize a reconciliation of Eastern mindfulness and nonrationalism with Western subject/object
dualism. The magic of Zen and the Art of Motorcycle Maintenance turns out to lie not in the answers it gives, but in the
questions it raises and the way it raises them. Like a cross between The Razor's Edge and Sophie's World, Zen and the
Art of Motorcycle Maintenance takes us into "the high country of the mind" and opens our eyes to vistas of possibility.