Order now to get it by: Thursday December 15 - Saturday December 17
Get it on Saturday December 10th with expedited shipping.
Select the expedited delivery option after adding this item to your cart.
Product ID: 286686
Good grief! The Complete Peanuts is the most ambitious and most important project in the comics and cartooning genre:
over a period of 12 years, Fantagraphics Books will release every daily and Sunday strip of Charles M. Schulz's
"Peanuts," the best-known and best-loved series in the world.
Most everyone with an interest in its history has seen the very first strip ("Good ol' Charlie Brown... How I hate
him!"), but this first volume follows it up with 287 pages (three daily strips or one Sunday per page) of vintage
material in chronological order. "Peanuts" was unique at the time for portraying kids who seemed like real kids, but
they also had a wisdom beyond their years, embodied especially by the lovable loser, Charlie Brown, who even in these
early years has lost 4000 checker games in a row. We see him don his familiar jagged-stripe shirt for the first time
(December 1950) and, at the age of 4, at his peak as a babe magnet. Shermy is the other significant boy, and the girls
in their lives are Patty (not to be confused with Peppermint Patty) and Violet. Schroeder is an infant who has learned
to sit up in order to play Beethoven on his toy piano. Snoopy is an anthropomorphic dog who plays baseball (April 1952)
and has his own thoughts (October 1952). In March 1952 we meet a bug-eyed Lucy, who by November has been designated
"Miss Fuss-Budget of 1952" and is pulling the football away from Charlie Brown (Violet had done it a year earlier). Her
baby brother Linus arrives in July 1952. The book itself is beautifully packaged, the strips printed large and clear on
high-quality paper and accompanied by an in-depth essay by David Michaelis, a 1987 interview with Schulz, an
introduction by Garrison Keillor, and even an index of characters and subjects.
The second volume covers 1953-54, and the visual style and character development is closer to the kids we know and
love, as they try to exist in a grown-up world. Charlie Brown is no longer the object of Patty and Violet's
affection--derision, more like--and his pattern of losing continues. His misery at checkers hits 5000 (June 1953), 6000
(August), 7000 (November), 8000 (still November), and 10,000 (December) consecutive games, he gets shut out on
Valentine's Day (February '53), he wears his first bad Halloween costume (October '54), and he gets a form rejection
slip from Santa (December '54). On the baseball diamond, though, he actually has the lead in a game (April '53, but we
don't see the final score) and briefly plays catcher. By now Lucy has become the main girl in the strip, and in
addition to beating Charlie Brown at checkers, she begins her romantic pursuit of Schroeder (January '53), joins the
baseball team (August '54), and wins her third consecutive Miss Fussbudget of the Year title (November '54). Her younger
brother, Linus, starts what will become a longstanding feud with Snoopy in the first Sunday strip of '53, shows he's a
prodigy in jump rope, blocks, houses of cards, and balloon blowing, and cuddles his security blanket (May '54).
Schroeder continues his obsession with Beethoven and reveals the secret to playing great literature on a plastic piano
with painted-on black keys (practice and "getting the breaks"). We meet two new characters, the perpetually dirty
Pig-Pen (July '54) and the loudmouthed Charlotte Braun, whose funny name wasn't enough to keep her around for long.
Charles M. Schulz, whose own insecurity manifested itself in Charlie Brown (who not coincidentally draws his own
cartoons), came up with his first multiple-strip storyline (starting with a four-Sunday series of Lucy joining a golf
tournament coached by Charlie Brown, May '54) in this period, and provides us with a glimpse of the 1950s--deco
furniture ("What in the world is a 'rocking chair'? asks CB), 3-D movies, H-bomb testing, and even what in hindsight
looks like a prediction of the troubles in Vietnam (May '54). The second volume maintains the high quality of the first
volume; even if it doesn't have the same extent of extra materials, it has an introduction by Walter Cronkite, a note on
one strip that had to be partially reconstructed, and that handy index of characters and topics. --David Horiuchi