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"Kodama" the fifth album from Blackgaze pioneers, Alcest, marks the French duo's ferocious return to the stylistic maximalism of its early albums while continuing the band's relentless pursuit for new sounds and fresh ideas. "Kodama" is the Japanese word for 'tree spirit' and 'echo' and from the album's structure and dynamics to its cinematic sound, "Kodama" indeed 'echoes' Alcest's 2010 classic "Ecailles De Lune". But this is no simple back-to-the-roots album; the band has more punch, rhythm and feel than ever before. While clearly influenced by bands like The Smashing Pumpkins, Tool, Dinosaur Jr, Grimes and The Cure, "Kodama" ultimately reveals itself as Alcest's 'Japanese album', drawing substantial inspiration from Japanese art and culture. Originally triggered by Hayao Miyazaki's anime film "Princess Mononoke", "Kodoma" pikcs up on the e of its protagonist and, at its core, deals with the sensation of not belonging; of living in between worlds, be it city and nature or the physical and spiritual one. Duality is also crucial for the visual approach of the album, realized by French graphic designer duo Fortifem. Paying tribute to Japanese illustrators like Takato Yamamoto, the visuals portray contrasting elements like nature/urbanity, youth/death, femininity/animality and combine poetic elements with darker ones that were not present in Alcest's earlier works. By giving the album a cultural, stylistic and compositional narrative, Neige and Winterhalter keep "Kodama" from just being the latest improvement on the Alcest sound and instead make the album a most rare and exciting thing: a vital, relevant record from a pioneer that not only upholds the band's trailblazing legacy but actually makes you want to see where they go next.