We currently accept any valid credit or debit card. Any card with a Visa / Mastercard / American Express logo can be used for your purchase at DesertCart. This includes prepaid cards and Visa based e-dirham cards.
We do NOT support cash on delivery.
If you wish to use cash, you can purchase a prepaid internet shopping card at various banks/supermarkets/petrol stations around the UAE
Are traditions of popular theatre still alive in politically-engaged theatre today? In San Francisco they are. The San
Francisco Mime Troupe is a modern link in the long history of public performances that have a merry air but have a voice
of political protest and social comment. Every summer since 1962 the Troupe has taken free outdoor performances to
public parks in the Bay Area. In a style that is festive and a spirit that is revolutionary the Mime Troupe has relied
on popular theatre forms to address timely political and social issues. Their productions maintain a contemporary
political edge, while showing their origins to be the popular traditions of the commedia dell'arte, circus clowning,
vaudeville, puppetry, and minstrel shows. With The Minstrel Show or Civil Rights in a Cracker Barrel (1965) they
expressed support of the civil rights movement. With L'Amant Militaire (1967) they voiced support of Vietnam War
To discover what makes these apparently frivolous theatrical traditions effective for contemporary political theatre,
Festive Revolutions explores the historical origins of the popular forms the Mime Troupe draws on. In old Europe, where
performance traditions began, political turmoil blended with festive celebration. The lineage of the Mime Troupe's Punch
the Red can be traced back to the Italian puppet figure Pulcinella through its English and Russian counterparts Punch
and Petrushka. In the Mime Troupe the use of stereotypes and reliance upon colorful festivity are diverse strategies for
dodging censorship. Productions like Ripped Van Winkle continue today to rekindle the radicalism the Troupe inherited
from the culture of the 1960s.
Festive Revolutions shows that such forms have inspired political theatre for centuries.