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This guide to playreading for students and practitioners of both theater and literature complements, rather then
contradicts or repeats, traditional methods of literary analysis of scripts.
Ball developed his method during his work as Literary Director at the Guthrie Theater, building his guide on the crafts
playwrights of every period and style use to make their plays stageworthy. The text is full of tools for students and
practitioners to use as they investigate plot, character, theme, exposition, imagery, motivation/obstacle/conflict,
theatricality, and the other crucial parts of the superstructure of a play. He includes guides for discovering what the
playwright considers the play’s most important elements, thus permitting interpretation based on the foundation of the
play rather than its details.
Using Hamlet as illustration, Ball assures a familiar base for illustrating script-reading techniques as well as
examples of the kinds of misinterpretation readers can fall prey to by ignoring the craft of the playwright. Of immense
utility to those who want to put plays on the stage (actors, directors, designers, production specialists) Backwards and
Forwards is also a fine playwriting manual because the structures it describes are the primary tools of the playwright.