Hieronymus Bosch: Complete Works

by Imusti


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  • Renaissance radical: An earthly delight not to be missed
    In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Netherlandish
    painter Hieronymus Bosch (c. 1450–1516) was more than an anomaly. Bosch’s paintings are populated with grotesque scenes
    of fantastical creatures succumbing to all manner of human desire, fantasy, and angst. One of his greatest inventions
    was to take the figural and scenic representations known as drolleries, which use the monstrous and the grotesque to
    illustrate sin and evil, and to transfer them from the marginalia of illuminated manuscripts into large-format panel
    paintings. Alongside traditional hybrids of man and beast, such as centaurs, and mythological creatures such as
    unicorns, devils, dragons, and griffins, we also encounter countless mixed creatures freely invented by the artist. Many
    subsidiary scenes illustrate proverbs and figures of speech in common use in Bosch’s day. In his Temptation of St
    Anthony triptych, for example, the artist shows a messenger devil wearing ice skates, evoking the popular expression
    that the world was “skating on ice”—meaning it had gone astray. In his pictorial translation of proverbs, in particular,
    Bosch was very much an innovator.

    Bosch—whose real name was Jheronimus van Aken—was widely copied and imitated: the number of surviving works by Bosch’s
    followers exceeds the master’s own production by more than tenfold. Today only 20 paintings and eight drawings are
    confidently assigned to Bosch’s oeuvre. He continues to be seen as a visionary, a portrayer of dreams and nightmares,
    and the painter par excellence of hell and its demons.

    Featuring brand new photography of recently restored paintings, this exhaustive book, published in view of the upcoming
    500th anniversary of Bosch’s death, covers the artist’s complete works. Discover Bosch’s pictorial inventions in
    splendid reproductions with copious details and a huge fold-out spread, over 110 cm (43 in.) long, of The Garden of
    Earthly Delights. Art historian and acknowledged Bosch expert Stefan Fischer examines just what it was about Bosch and
    his painting that proved so immensely influential.

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