The Language of the Goddess

I'm glad I got the hardback version. The images are just beautiful, but actually the most impressive element is the organization and presentation. There is a lot of material here. Marija organizes it into categories that are easy to wrap one's mind around, even just leafing through it (all I've been able to do right now). For example, it is exciting to learn that the snake coil was possibly used for time reckoning in the 4th millenia B.C. Ireland, when I know that on the walls of the Fajada Butte in Chaco Canyon, USA, there is a snake coil that is most definitely used for time reckoning by the ancient people who lived there. At Chaco, you can watch the slivers of light follow the wandering cycles of the Moom, precisely, as well as the more direct yearly cycle of the Sun. (see [...] ). As another example, Marija shows us a snake design on the side of a vase that coils in but then turns around and uncoils back out. It looks like it symbolizes regeneration. This pattern is also an ancient folk dance from Europe where you hold belts in a line, coil in and then uncoil out so as to be looking at the people on the end still coiling in. We still do that dance today. Interestingly, it always had a feel akin to regeneration or rebirth as you come out of the coil; that without having any idea of this kind of symbology. Discovery is always fun, and I expect I will be enjoying that for years from this book. Thank you, Marija.

"The Language of the Goddess" is a must-have for anyone interested in symbolism and imagery, as it presents some of the oldest decorative markings ever scratched into stone, bone, and wood. Most of the images, reproduced in line drawings and black-and-white photos, are taken from Neolithic European village sites dating back as far as 7,000 B.C. Thus they are, for the most part, a product of agricultural cultures. However, there is a striking similarity between some of these marks and those found on relics from Paleolithic hunter-gatherer sites, examples of which appear in this book. The link between the images from Neolithic and Paleolithic sites arises at least in part from those cultures' shared worship of the Goddess. In the text accompanying the images, Gimbutas tries to reconstruct the world-view of the European Goddess-centered people. She works by inference, looking at various found objects and their markings--not just in their historical context but also in relation to each other. For instance, in her chapter entitled "Net Motif," she writes, "Signs associated with the framed net -- parallel lines, zig-zags, tri-lines, M's, and chevrons -- place it within the aquatic symbol family. . .the framed net also appears with symbols of becoming: egg, vulva, uterus, fish bladder forms, and plant leaves. This implies that the net is linked with aqua-cosmogony, the life source, and the birth of human, animal, and plant life. . .in other words, it must have been a symbol of the "water of life" well known to us from myths. The net design. . .probably emphasizes the life-giving power of the Goddess." It is interesting that we still speak of "the web of life," and the "interconnectedness of all beings." The web is an ancient image, and just one of many in the book that readers can recognize as still resonating for us now. Some other images which Gimbutas presents are Meander and Water Birds, Streams, Tri-Line and Power of Three, and Deer and Bear as Primeval Mothers. This book is wonderful for textile artists, potters, painters, or poets - indeed for anyone interested in drawing inspiration from the furthest reaches of human history. These are powerful symbols for study, which come alive when given careful attention.

Very good read. Important book to read if you are into accent history.

This book is a revelation. We were once a peaceful egalitarian society, a matriarchal society. No one wanted for anything. Everyone was equal and we took care of one another and lived in harmony with mother earth. The patiarchal society that has taken over by force has given us the complete perversion of society. We have poverty, an every man for himself attitude. War and mass hatred. We decide things through violence and arrogance with a complete disregard for nature as well as our fellow human beings. This is the Kurgan mans society at its finest. We would be astronomically better off had we remained as a nurturing matriarchal society. We had our heritage taken from us by evil self-serving men. And so it go's.

This is a great used book. BUT it has many unprinted pages -- 64 pages to be exact. I'm VERY disappointed. This book should have been discarded by the publisher. I will now have to buy the paperbook version and hope that the pages are ALL printed. I may buy another used hardbound to see if it has any unprinted pages.

Maria G makes folklore and mythology dance alive through the annals of known time directly into unfathomable pre-history. She envelops us in a conscious and conscientiously conceived, irresistible tribal dance across the pages. We know Her by name. Only a fool dares to deny the power.

Came a little warped but overall in good condition

this book (and marija) is referenced by most all of my favorite authors - beautiful and compelling - a must read

Groundbreaking research. Marija Gimbutas has been vindicated.

If you are interested in history, anthropology, mythology and folklore, then this book is a must have reference book in your library, as the paleolithic and neolithic archeology in my opinion, forms the foundation for those social sciences. I love this author/ archeologist and want every book she's ever published! She is a true legend and contributor to her fields.

Es un libro indispensable para entender el pasado de la humanidad, desmitificar las ideas patriarcales y positivistas y entender que la humanidad tenía una visión del mundo más acorde con la naturaleza, que no era una edad de piedra y que posiblemente entendían mejor a la naturaleza que en la actualidad. También nos ayuda a comprender que los mitos del pasado están construidos desde una visión de dominación, destrucción y muerte y que sin embargo no siempre fue así. Además descubriremos que el lenguaje es más antiguo de lo que imaginamos

The book is written in a clear no-nonsense language and extremely informative regarding the symbolic language of ancient artifacts related with the Great Goddess and her many aspects. This is a great reference book but also a book to be enjoyed for its beauty and deepth of knowledge. It will most definitely assist me with making more sense of some of the sacred landscapes on the Island I live on and many of the divine feminine energies already identified.

In perfette condizioni, il libro è meraviglioso!