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Rom-com about a small-town waitress whose desperation to change her life and train-wreck marriage is brought to a head when she discovers she's pregnant. Working at a pie-shop in the Deep South, popular waitress Jenna (Keri Russell) longs for the day when she can say goodbye to her domineering husband (Jeremy Sisto). Relieving her stress by baking pies inspired by her predicament, Jenna feels her ship has already sailed, until the town's gorgeous new Doctor (Nathan Fillier) tells her she's pregnant. As her life begins to change in ways she could never imagine, Jenna embarks on an affair with her married Doctor, determined to grab one last chance at happiness. From .co.uk ----------- Much like the films of Hal Hartley, Waitress is funny in a deadpan sort of way, but a sadness lurks below the surface. After making a splash in Hartley's The Unbelievable Truth and Trust, Adrienne Shelly turned to directing with Sudden Manhattan and I'll Take You There. Set in a small Southern town, her third picture revolves around waitress Jenna (Felicity's radiant Keri Russell), who works at Joe's Pie Diner (Joe is played by Andy Griffith). Jenna is the pastry genius who makes Joe's joint shine. Her co-workers include the forthright Becky (Cheryl Hines, Curb Your Enthusiasm) and insecure Dawn (Shelly). All three have man trouble, but Jenna has it the worst. Her husband, Earl (Jeremy Sisto, Six Feet Under), treats her like a piece of property. When she finds out she's pregnant, Jenna fears she'll be stuck with him forever. Then, she develops a crush on her married obstetrician, Dr. Pomatter (Nathan Fillion, Serenity). With the aid of her fanciful confections, like peachy keen tarts, their flirtation develops into a full-blown affair. It appears to be a no-win situation, but Shelly finds an empowering way to bring this bittersweet story to a close. If the candy-coloured conclusion plays more like fantasy than reality, it's a fantasy worth embracing. Sadly, Shelly was murdered before Waitress ever saw the light of day (leaving behind a husband and child of her own). Fortunately, her final film is far more life-affirming than morose, although it does end with the word "goodbye." --Kathleen C. Fennessy