Product Description
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Welcome to the North is the next instalment from The Music.
Following on from their self titled debut album, which gave the
world the crunching guitar hits 'Take the Long Road', 'The
People' and 'Getaway', the new album from the boys retains the
bands rock charm but is enhanced by the production talents of
Brendan O'Brien. Leading the charge from the album is the single
'Freedom Fighters', which sees The Music at their truly
magnificent best, with a legendary rock guitar crunch, which
rings out to a riff that guitar greats would be proud of, topped
off with a searing vocal performance.
.co.uk
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The Music are nothing if not confounding. Their second album,
Welcome to the North would, based on its title alone, suggest
that this quartet wear their Northerness on their sleeve. But
rather than producing yet another tired Oasis or Stone Roses
pastiche, the Music ( /exec/obidos/artist-search/the%20music/${0}
) decamped to the distinctly un-Northern town of Atlanta, Georgia
to work with renowned rock producer Brendan O'Brien (best known
for working with Pearl Jam and Soundgarden). The results are
thrilling--an over-the-top, bombastic album that often manages to
combine the rock power of Led Zeppelin with the epic psychedelia
of Jane's Addiction (helped by frontman Robert Harvey's vocal
similarities to Perry Farrell and drummer Phil Jordan's breakneck
drumming, reminiscent of Stephen Perkins). And though the lyrics
occasionally venture into pretension (really, who says "mine
eyes" anymore?), they're made forgivable by the power of tracks
like "Freedom Fighters" and "Bleed from Within" (which even
boasts a drum solo). In fact, the only outright homage to their
Northern indie heritage is "I Need Love", with a danceable, New
Order-esque bassline that drives the whole thing along. But
generally, they stick to their s instead of their roots,
making Welcome to the North a great rock album. --Robert Burrow
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Review
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Welcome To The North is that rock cliché, the difficult second
album, and that is exactly why it is so exciting. In a year where
bands like The Strokes and The Thrills have released sopre
efforts which have shown exactly zero musical progression, which
have been *easy* second albums, this sees The Music make a leap
for artistic greatness. They don't quite make it, but the attempt
itself makes for an exhilarating listen.
It kicks off with the title track, and kicks off is exactly the
right phrase - this is the sound of a drunken brawl on a wet
Northern street, built on layers of brutish guitar and a
strident, desperate vocal from Robert Harvey. On their debut,
Harvey sounded whiny as often as he sounded heroic. On this
record he has perfected his instrument, pushing it to howling,
raging extremes one moment, then scatting guttural rhythms the
next.
Like Harvey's voice, Welcome To The North often teeters towards
the absurd, but even a song as silly as "Freedom Fighters" is
redeemed by its epic scale and the virtuosity of Adam Nutter's
guitar work (though Harvey will one day weep with shame that he
ever sang "dance for the freedom, hers of the world").
"Bleeding From Within" has a far better lyric, a fierce
denunciation of a war which the vast majority of today's
careerist rock stars haven't even noticed, perfectly matched by a
bruising, brooding musical backdrop which recalls The God Machine
at their bleakest.
Listening to this album is an intense experience, without a
doubt, whether mournfully so in the minor chords and despairing
melody of "Fight The Feeling" or ragingly so in the frantic,
guitar juggernaut that is "Cessation". Not that The Music totally
disdain pop - the nagging keyboard riff and giddy handclaps of
"Breakin" make it the album's most lovable and immediate moment.
There are occasional misfires. A song as pompous and blatantly
indebted to Urban Hymns as "Guide" verves on the ridiculous. But
the blatant sincerity of Welcome To The North, the fact that it
so clearly cares about music and itself, makes it deeply
rewarding. And the best thing about itis that it feels like a
stepping stone to somewhere even better. --Je Gill
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