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Product Description ------------------- As she cuts across the fields to take her her his lunch, Patricia meets Jacques. She is 18, he is 26. She is pretty, with the fine manners of a young lady; he is a fighter pilot and a handsome young man. A full moon will do the rest on their second meeting. There won’t be a third rendezvous as Jacques is sent to the front. Meanwhile, Patricia finds herself pregnant and the boy’s rich parents accuse her of blackmail. Patricia and her her, the well-digger, will alone have the joy of welcoming her child. A joy that the Mazels will soon envy and seek to share when Jacques goes missing in action… .co.uk Review ------------- Daniel Auteuil made the jump from in front of the camera to behind it with The Well Digger’s Daughter, choosing to adapt Marcel Pagnol’s story for the big screen. Pagnol also penned the source material to Jean De Florette and Manon Des Sources, two of the most accled and popular French films of the past few decades. And while The Well Digger’s Daughter doesn’t sit side by side with them, it’s still a commendable piece of cinema. Unashamedly old fashioned in its style, The Well Digger’s Daughter is set around World War II, with Auteuil himself playing the well digger of the film’s title. One of his daughters, meanwhile, is Patricia, and it’s she who begins a short relationship with the son of a wealthy family. He soon disappears, she discovers that she’s pregnant, and from there, the film’s core drama ensues. You’d hardly call The Well Digger’s Daughter a hard-nosed tail, though, with Auteuil opting for a gentle tone, and an unfussy style for his feature. He recruits a strong cast, too, not least Astrid Berges-Frisbey, who previously made her Hollywood debut in Pirates Of The Caribbean: On Stranger Tides. To Auteuil’s credit, it’s a beautifully film, one that gently deals with issues of class and standing, even if it’s never got any intention of landing a heavy punch. Still, the film is ultimately a strong, well-ed production, albeit one that might not linger too long in your brain afterwards. It really is lovely to look at, though. --Jon Foster